"Window to Art" is an annual review volume focusing on cinema, theater, painting, photography, and music. Through this, we aim for the anatomical expression of opinions with the prospect of creating a unified version of public space. We define the printed matter as the reference field of public space through which the mobility of ideas and the dialectical connection with the causal relationships governing human activity gain a background. We strive to transform the printed edition into a constant environment of changes and variations, recording, capturing, and providing the necessary specialization of the frameworks of discourse, analyzing the coordinates from which ideological and social fermentation arises in the daily extensions of human participation. We consider discourse, particularly the theoretically processed position of each editor, as a fundamental advantage in the necessity of constructing a new intellectual tradition. The texts of collaborators and members participate in a common denominator, that of forming a unified stride against the problems and issues that the pace of life imposes on artistic expression. For this reason, we consider it of utmost importance to publish the texts in a coordinated, structured, and framed by a theoretical web of perceptions, so that from the first issues, the synthetic criteria through which contemporary intellectual presence seeks to answer questions and problems posed by the multi-layered economic, political, and cultural structure of society are clearly manifested in public dialogue. The contradictions of a value system with the horizon of nullifying human value, such as what is experienced as the ideological narrative of the 21st century, that is, the non-existence of an alternative path to the individual-centric - egocentric reading of life, for us, in the Philological Club, constitutes a challenge of overturning a conscious overthrow of a web of concessions and limitations that interpret man as a component of the economic multiplication of numbers, deliberately ignoring human value, overshadowing the human factor into numbered indices of stock market correspondence. We aim to construct a new structure of discourse, concepts, linguistic forms, and philological prerequisites, through the reinterpretation and re-examination of accepted truths in art, bringing the creator to the forefront first, as an autonomous presence in public space, ultimately directing the extension of discourse as a forefront of a new ethical expression and examination of data, with man at the center and the causes that generate the contradictions of the social system in the crosshairs. We aim to construct a permanent path of expression, extending the stylistic expressive means to the height of intellectual pursuits and concerns, investing in the realistic recording of power relations between the theoretical and practical depiction of discourse and its consequences. Art is the means to achieve deepening in the counter-proposal, in the alternative, for a new reality, for the design of the starting point in the expression and structure of discourse, as an extension of freedom and its realization.