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Camera Lenses
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The small and lightweight Nikon AF-S Nikkor 50mm f/1.8 G lens works with all Nikon cameras, both digital and film, with automatic or manual focus, and its results impress every time.
As with any 50mm prime lens, the angle of view it provides with an FX body is 47° and with all DX bodies 31°. These lenses, when used for portraits, are distinguished by their sharpness and control over depth of field, and in low light shots, they stand out for the amount of light they can "capture".
The Nikkor 50mm f/1.8 G is compatible with all bodies and provides autofocus functionality even on cameras that do not have a built-in focus mechanism, such as the D3xxx series (D3000, D3100, D3200) and the D5xxx series (D5000, D5100, D5200), and the F3.
This lightweight standard lens is an excellent companion for travel, because you never know when a beautiful, sunny day will turn cloudy and rainy. With the fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance.
Whether you're photographing portraits, food, or nature - indoors or outdoors - the AF-S NIKKOR 50mm f/1.8G delivers beautiful, natural background blur (Bokeh) at wider aperture settings. And its 50 mm focal length is ideal for creating a natural perspective in your photos.
Nikon's Super Integrated Coating (SIC) enhances light transmission performance and offers superior color consistency and reduced flare, while the Aspherical Lens Element (AS) of the AF-S NIKKOR 50mm f/1.8G virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Combine it with Nikon's Silent Wave Motor (SWM) for fast, accurate, and quiet autofocus, and you can be confident that all your portraits will be sharp.
AF-S NIKKOR lenses feature Nikon's Silent Wave Motor (SWM). This technology converts "traveling waves" into rotational energy to focus the optics. This allows for high-speed autofocus that is extremely accurate and super quiet.
Some NIKKOR lenses have a focusing mode that allows switching from autofocus to manual focus with virtually no time lag, simply by turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focus while looking through the viewfinder.
A lens with a curved, non-spherical surface. It is used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful for correcting distortion in wide-angle lenses and contribute to a lighter, more compact design by reducing the number of standard (spherical) elements required. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.
Nikon's Super Integrated Coating is Nikon's term for the multi-layer coating of optical elements in NIKKOR lenses.
Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.
The Nikkor 50mm f1.8 is a relatively good lens whose drawbacks are the noisy focus and that you have to be quite far from a close object for it to focus; otherwise, good sharpness
Lens with amazing sharpness, fast and silent focus, and excellent color reproduction. If the transition is made from a lens kit with apertures of 3.5-5.6, the difference in quality in the photos is significant. Personal opinion is that it is better than the 35mm lens since I have tried both. Its only drawback is the somewhat narrow frame, especially on crop cameras, but you quickly forget about it and adapt!
I use it on Nikon D700, I remembered the times of film when we had an SLR and a 50mm 2.8 and that was it. Lightweight, good build quality, very good sharpness and contrast, ideal for all-around use. The only thing that made a negative impression on me is that it has minimal but existent barrel distortion, something I didn't expect from a prime lens. But it's not something tragic and can be easily corrected in post-processing with the application of the corresponding lens profile.
Compared to the 50mm 1.8D that I had previously on a DX body but tried again before settling on the AF-S, I didn't see a substantial difference (the 1.8D doesn't have any distortion at all!). However, it is quieter, marginally faster in focusing. If you don't mind the noise of the motor and have a camera with built-in autofocus motor, you can blindly go for the 1.8D. Same image quality, and you save 100€. That's why I deducted one star from the quality/price ratio. But even at its price (~250€), you get a very good "glass".
My first lens, with D610.
I haven't used it much. Only around 500 photos. But its sharpness is very good. And if you can shoot at f/2.8 or 3.5, it's perfect.
Keep in mind that it suffers from coma at the edges with wide apertures. So if you're shooting stars or small lights, it would be good to close the aperture a bit.
But overall, if you're not constantly zooming in the photos, you won't notice much.
[EDIT] One and a half years and 50,000 photos later, I have to say that it's a very good lens, especially for its price. For anyone who wants to add a prime lens to their collection but doesn't have 800-1000€ for a Sigma f/1.4 art, this is a very good lens for any use.
The classic nifty-fifty. Very good lens, very good sharpness. Just what you need to get away from the kit lens and get 100% from your (crop) sensor. In crop cameras, it becomes approximately 75mm (1.5 x 50) so it's not exactly a 50mm there. However, it is a good focal length for portraits. I recommend it to any amateur who wants to deal with portraits and subject separation, that is, blurring the background.
Now for full frame, it is also good, but there are definitely better lenses that showcase the sensor better.
I use the lens on a d5600. From the 35mm, I switched to the 50mm and the difference is huge. Better colors, better bokeh, sharper, and I haven't noticed any chromatic aberration in my photos, which was a big issue with the 35mm. The x1.5 crop factor is also something I like. Overall, this lens outperforms entry-level cameras.
The most fvm 50mm lens you can find.... Tremendous bokeh, quite sharp for its price especially at f 2.8.... Find it used for 150€ and take bomb photos
Purchase in early January 2012, around 180-185 euros. Mainly used on DX sensor, on the D90 for the longest time and now on the D7500, but also (less so) on Full Frame, D750 and D810. In DX, it corresponds to approximately 76mm and is probably the top cheap portrait lens from all companies, while also being a very good general-purpose lens for FX and DX (in DX mainly for outdoor use as a small telephoto lens).
I have experience with its predecessor, the 50mm 1:1.8D. The AF-S, although more expensive, excels in my opinion in the following:
1) Sharper at wide apertures both in the center (slightly more) and mainly in the rest of the frame.
2) Bokeh clearly better and generally exceptional for its price category.
3) Coma very mild at the limits of the small sensor, which personally interests me for night shots. However, in FX, coma is still present even at 1:2.8.
4) Autofocus. It has a built-in motor, so the lens focuses almost silently and works with the D3xxx and D5xxx series, but the speed is similar (good). The big difference lies in the accuracy of autofocus, where the old one lags behind significantly (the cheap 50mm from Canon is even worse).
5) Practically no glare - flare, making the lens hood almost unnecessary.
Additionally, the lens is more than sufficient for FX, especially for the sensor of the D750. On the D810, it needs to be stopped down to at least 1:2.5 or 2.8 for more acceptable results.
And a comment on a previous review. Using a lens at its maximum aperture for portraits is the responsibility of the photographer and a matter of technique to focus correctly, i.e. on the eyes or the eye that is closest to the lens. And indeed, the nose and possibly the other eye may be out of focus.
The lens is periodically sold with cashback at 190-200 euros (or even lower), so I suggest not paying 240+ euros if you can wait a bit.
Very bright lens. Very lightweight and the f 1.8 is magic. I bought it for 190 euros on sale and I don't regret it at all. I have the 70-300 and the 18-140 but they have larger minimum apertures, so here I noticed a difference in brightness.
I have had it here for 3 months and it has never detached from my camera since I bought it. Many positives for this lens, 4 stars from me and not 5 for objectivity...
No complaint takes awesome photos and is worth its money from the f1.4 because they have minimal difference and have double the price.
As a newcomer to photography, I am quite satisfied with this specific lens. Before purchasing it, I had been told that it is mainly for portraits (which I am very pleased with in terms of image quality and color representation) and not for landscapes, so the only negative aspect I find is the build quality, as the focus ring's stop broke within the first 20 days and it continues to rotate beyond that point.
I have had it here for two months on a D3300. If you want an affordable and lightweight lens that takes nice portraits on cameras without autofocus motor, you won't find anything better.
If you have a D7000 or above, the Nikkor AF 50mm f/1.8D would be an even better choice.
A good lens for its price. Quite fast autofocus, good color reproduction, very good sharpness, and overall a nice portrait lens but not the best. On a crop camera, as many have said, it becomes 75mm which saves it somewhat, but still, the lack of VR in these lenses is a bit of a trap - it requires tripod practice. Overall, it is a very good choice and value for money.
A very nice and must-have lens for every photographer who wants to do portraits. On crop frame cameras, it is 75mm, so almost exclusively for portraits, on full frame it is also suitable for street photography and generally fits a few more types of photography. I highly recommend it! If you have a crop frame camera and you like street photography, I suggest the 35mm AF-S DX.
Positives:
-Fast lens
-Very good in low light
-Almost silent
-Fast AF
-Very good sharpness (I prefer f2.8 in the setup)
-Good bokeh
-Full frame lens
Negatives (technical details):
-When used on a crop frame, it is more difficult to photograph indoors as it zooms in quite a bit
-The focusing distance is quite large, so there needs to be some distance when focusing on a small object
One of Nikon's top lenses. Sharpness, bokeh, focus.
On DX cameras, the focal length goes up to 75mm (x1.5 crop factor) and functions as a portrait lens.
No negatives for this lens. It should be in every photographer's bag!
Nice lens, even at 232 euros.
It is also widely available in the used market, good value for money.
In terms of image quality, it is almost excellent.
From 1.8 to 2.8, it is okay.
From 2.8 to 4, it is very good.
At 5.6, the sharpness result is amazing.
Small and lightweight, it is a must-have lens for those who have FX cameras.
For DX cameras, it is perfect for portraits.
Satisfactory levels of sharpness, very clean photos, and very clean bokeh (especially at f/2.8 for my own eye, always in portraits). A lens that I believe everyone should have at a reasonable price.
I have been involved in photography for years (the last 7 professionally). I believe that this specific prime lens is worth the money as it offers a high level of image rendering, considering it is one of the most affordable prime lenses in terms of price. The best prime lens at 50mm is this one from Nikon. No other 50mm prime lens surpasses its performance, even in demanding conditions where there is a lack of lighting. With an f1.8 aperture, it works wonders. It is lightweight in case someone has a compact body (camera) so as not to increase the overall weight of the lens-camera combination. It is definitely the best choice for both amateur and professional photographers as their first prime lens. It is a lens that everyone will truly love for travel and street photography, but also for portraits as it accurately captures everything in great detail, especially at 50mm without distorting faces but rendering everything in their natural size. Lastly, the bokeh of this specific prime lens is very satisfactory considering its price, which may seem strange later if you use another lens that is not prime. The autofocus makes a difference and solves many situations, and that is why it is worth considering over older versions. Good shots!
Fast, lightweight with exceptional bokeh. It makes you a better photographer by playing with the steps and not with the ease of zoom. A lord lens at a unique price. As written and mentioned on the back, it fits both ff and Dx formats naturally. Beautiful clicks to everyone.
I use it for weddings and baptisms, and I can say that it is simply wonderful. Tremendous sharpness and nice bokeh. Very useful since from the moment I got it, 90% of my photos have been taken with it. I recommend it to you without a second thought
Lens with reasonable cost, lightweight and multiple uses.
It is ideal for everyday use and captures almost exactly what you see. If you need zoom, of course, you will have to move yourself!!
It also performs very well in portraits.
Crazy sharpness! Perfect size to not look small! Fits in both fx and dx so it's a good investment! A must lens for portraits!
Verified purchase
I am an amateur, without much knowledge but it is worth every penny and more!
To prefer it in 50mm is the best thing, don't mess with Chinese lenses.
Certification levels of acidity, very clean photographs.
The best value for money lens. Incredible sharpness even at 1.8!
Bright lens, satisfactory sharpness, amazing bokeh
Verified purchase
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